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Also included on the second story are multiple hallways with aluminum closets, two bathrooms, and a wire-fixed skylight. The entrance door has a clearly marked gold-leaf panel above it, which makes it easily identifiable. A small courtyard splits the main house and the studio and was not part of the original plans, but luckily only required one extra beam.
AD Classics: Eames House / Charles and Ray Eames
The response to this condition was a concrete retaining wall that ties together the two boxes separated by a courtyard that make up the parti of the residence. In April 2019, the Getty Conservation Institute released the Conservation Management Plan (CMP) of the Eames House. This publication spanned over 200 pages and featured Eames House history, current use of the property, potential damage and ecological risks, and mitigations for conservation. This publication will aid the Eames Foundation's 250 Year Project for conservation and serves as a tool for other stewards of modern architecture around the globe.
The Gherkin, London – The UK’s Famous Egg-Shaped Building
The Eames chair is one of those rare luxury goods that checks all those boxes for novices and experts alike, in his view. He appreciates the craftsmanship and knows it's something he'll have for a long time. Black leather, wood base, toss it in a living room or a home office, and voila, a statement piece.
Principles of Art – Understanding the Principles of Design in Art
The Eames lounge chair and ottoman was created by the 20th-century design duo Charles and Ray Eames and released by Herman Miller, now under MillerKnoll, in 1956. It's mass-produced, but it's not priced for the masses — a new chair and ottoman will run you $7,395, plus tax and shipping. Today, the Eames House is carefully maintained by the Eames foundation and was designated as a National Historic Landmark in 2006.
Partnering with the Getty
The use of natural materials on the interior bring the residence closer to nature, giving the appearance of the house resting softly on the earth. A row of eucalyptus trees was also planted at the front that provide shade and blend parts of the house with outdoors. In the early 1940s, John Entenza, the owner of Arts & Architecture magazine and Case Study Program founder, purchased 5 acres of land on a wooded bluff that was once part of Will Rogers' large estate. The structure was to be constructed entirely from "off-the-shelf" parts available from steel fabricator catalogs.
The Eames House & Foundation
A central courtyard that visually combines the two buildings is paved with brick, marble, and wooden pavers that were arranged in a grid shape. In 2004, Lucia Eames, Charles’s daughter, created the Eames Foundation, which is a nonprofit organization that aims to protect and preserve Ray and Charles’ house as well as offer educational events to celebrate the legacy of Charles and Ray Eames. In 2020, over 200 eucalyptus trees were harvested on the property for preservation purposes. The brief also stated that the architect had the choice of freedom when it came to the real or hypothetical client. The importance given to light in the design, with the exterior arranged in this particular way, can be connected to Japanese influence. This attention to detail, however, did not hinder the aspect of displaying the idea prefabrication.
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Being so close to the ocean, the steel columns have to be repainted constantly to deter rust and corrosion. Although right next to the ocean, being in LA, the site is very desert-like as well, which is not a positive characteristic for the site on which a building is to be conserved. This along with the use of rubber flooring that discolors over time and the wear and tear of the parquet flooring makes the house a very high-maintenance building. The studio building also boasts a mezzanine level, but one that is much shorter in length than that of the main building. The studio’s ground floor consists of a bathroom, a utility sink, a dark room for the processing of photographs, and also a large double-volume space to inspire and create within.
The ubiquity and recognizability of the Eames chair may make it less desirable to some. Consumers who are drawn to luxury items often prize things that are scarce, which the lounger isn't. Zak Cole, a 36-year-old who lives in Nashville and is a managing partner at a Web3 venture studio, wasn't worried about sounding douchey.
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Case Study House #8
Examining the house as an interactive Archilogic 3D model holds, for this reason, some revelations even for those for whom the house looks as familiar as an old friend. The Eames Office acted as a founding partner of the Eames Foundation alongside Vitra and Herman Miller, the two furniture companies that have held a lasting relationship with Charles and Ray’s furniture since the 1940s. Additionally, the Eames Foundation’s partnership with the Getty Conservation Institute is helping secure the physicality of the house and its collections through special ongoing conservation projects.
In order to fulfill Charles and Ray’s wishes it is important that we closely analyze their intent for the house, the site as well as the interior and the exterior in order to be able to fully understand how all of it came together. Charles and Ray Eames were also the masterminds of the company Herman Miller, which is a 112-year-old global décor and furniture company. Some of the original Herman Miller furniture designs were even created in and for the Case Study House 8, such as their ottoman and lounge chair.
They worked under the name of their own company, the Eames Office where they contributed greatly to architecture and furniture design. The most well-known furniture pieces that they have designed are the Eames Lounge Chair and the Eames Dining Chair. The Eames were believers in “learning by doing”, and they taught multiple notable designers. The Case Study House 8 was designed and built by the husband-and-wife duo, Charles, and Ray Eames in 1949, who moved into the house that same year. The house served as their home and creative studio for the remainder of their lives, which was a total of 40 years of occupying the house.
The panels, steel columns, and even the gold-leaf panel marking the entry door were not afterthoughts but an integral part of the architectural dialogue. The Eames House reflects this in its intricate interplay of textures, colors, and spaces that come together to create a harmonious whole. The Eames Case Study House #8, usually known simply as Eames’ House, is usually presented as a kind of kaleidoscope of details. It remains one of the most exuberantly performative homes in the history of architecture, with its resident designers, Charles and Ray Eames, as the chief actors. They enacted the day-to-day as an ongoing celebration, documenting the daily rituals of work, play, and hospitality with photography and film. What this theatre of life conceals is that the Eames’ house was itself, structurally, a kind of theatre.
Some of them are throwing their money into gambling, while others are investing in a fancy leather chair that gives off "Mad Men" vibes. "If it's a family heirloom or you find a vintage piece, that's a totally different story. But if you're just going to overspend or buy a knockoff, I'm in the 'who cares' camp. Say more with less." Derek Guy, a menswear writer and commentator, said he thought the Eames fandom among guys was a mix of those who are into midcentury-modern stuff and those who just want to flex. "I'm convinced the majority of dudes wake up and go to work so they can one day afford this chair in their living room," one Twitter/X user wrote this month in a viral post accompanied by a picture of the chair. However, due to a post-war shortage of steel, construction wasn’t able to begin until 1949.
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