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In the story “The Fall of the House of Usher,” strangely mingles the real with the fictional. The artistic creation of Roderick is directly connected to what happens in the house of Usher. He creates an underground tomb and then entombed Madeline in the tomb.
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"The Fall of the House of Usher" has no definite settingexcept for the "singularly dreary tract of country" through which the narratormust travel to reach the House of Usher. Suits of armor and subterraneandungeons tend to suggest a European rather than an American locale, but thesedetails were established trappings of the gothic genre. Typical gothic elementsin the story include the Usher house, described as "this mansion of gloom" withits dark hallways and draperies, ebony black floors, "feeble gleams ofencrimsoned light," and its eerie burial vault. Complementing these elementsare Madeline Usher's mysterious malady, death and burial, and her return fromthe grave, the latter heightened by the thunder and lightning of a violentstorm, a gothic technique often adopted by modern films and stories dealingwith the supernatural. The claustrophobia of the mansion affects the relations among characters.
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On the one hand, the house itself appears to be actually sentient, just as Roderick claims. Its windows are described as “eye-like,” and its interior is compared to a living body. On the other hand, there are plenty of strange things about the Usher family. For one, “the entire family lay in the direct line of descent,” meaning that only one son from each generation survived and reproduced. Poe implies incestuous relations sustained the genetic line and that Roderick and Madeline are the products of extensive intermarriage within the Usher family. However, while Poe’s story is a success for its overall effect, the problemthat exists in his credo extends into the story—that is, reason and probabilityare treated as unimportant.
“The Haunted Palace”
The overarching narrative of The Fall of the House of Usher loosely follows Poe's 1839 short story of the same name, with Roderick recounting his decades-spanning tale to Auggie inside his decrepit childhood home. The letters of Roderick ushers the narrator into an unknowable world. And maybe the presence of narration – an outsider – leads to the destruction of the house.
Whatever conclusion a reader reaches, none finds the story an easy one to forget. She comes from her interred casket to seek vengeance on her brother, who sought to rid himself of her, to entomb her prematurely. Madeline and Roderick are almost two faculties of the same soul, of which the mansion is their body. "The Fall of the House of Usher" centers on Roderick Usher and his twinsister Madeline, the last surviving members of the Usher family.
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One can assume that Roderick can see the future with his lustrous and magical eyes. He is aware of the upcoming events, and he speaks about them before. One can also assume that Roderick causes the things to happen; that is why he is preoccupied with the fear that he manifests in reality. The tone of the story “The Fall of the House of Usher” is deliberate. The narrator of the story is the center of the strange parts of the story.
Furthermore, the ultimate Fall of the House is caused by an almost invisible crack in the structure, but a crack which the narrator notices; symbolically, this is a key image. Also central to this story is that fact that Roderick and the Lady Madeline are twins. This suggests that when he buries her, he will widen the crack, or fissure, between them. This crack, or division, between the living and the dead will be so critical that it will culminate ultimately in the Fall of the House of Usher. On a stormy autumn (with an implied pun on the word fall?) evening, a traveler—an outsider, like the reader—rides up to the Usher mansion. This traveler, also the first-person narrator and boyhood friend of Roderick Usher, the owner of the house, has arrived in response to a summons from Usher.
Roderick Usher
He admits that he is superstitious aboutthe house, and that its continual gloom has broken him down. Usher states thathe and his sister, Madeline, are the last of the line of Usher, and thatMadeline is sick with a disease the doctors cannot diagnose. Like so many of Poe's stories, the setting here is inside a closed environment. Poe was often dismissed by contemporary literary critics because of the unusual content and brevity of his stories. When his work was critically evaluated, it was condemned for its tendencies toward Romanticism. The writers and critics of Poe’s day rejected many of that movement’s core tenets, including its emphasis on the emotions and the experience of the sublime.
Edgar Allan Poe
The small crack that the narrator sees when he enters the house foreshadows the fall of the house. Since from the beginning of the story, the readers see that there is something wrong with the house, and certainly, the fissure/crack splits the house and destroys it. The overpass of the border is vitally related to the Gothic horror of the story.
The narrator, while entering the House of Usher, sees a small crack in the house, this crack not only refers to the crack in the house, but also the crack in the Usher family. There is a symbolic connection between the literal fissure and the metaphorical fissure. This small fissure shows disruption in the family, specifically between Roderick and Usher. Besides art mirroring or foreshadowing reality in the story, the other thing such as “reflection” and “doubling” is also going on in the story. When the story opens, we see that the narrator observes the inverted image of the house of Usher in the water pool that lies in front of the house. Moreover, there is also an inverted dichotomy between Roderick Usher and Madeline Usher.
During one sleepless night, the narrator reads aloud to Usher as eerie sounds are heard throughout the mansion. He witnesses Madeline's reemergence and the subsequent, simultaneous death of the twins. The narrator is the only character to escape the House of Usher, which he views as it cracks and sinks into the mountain lake. Fearing that her body will be exhumed for medical study, Roderick insists that she be entombed for two weeks in the family tomb located in the house before being permanently buried.
Madeline also suffers from problems typical for women in -nineteenth--century literature. She invests all of her identity in her body, whereas Roderick possesses the powers of intellect. In spite of this disadvantage, Madeline possesses the power in the story, almost superhuman at times, as when she breaks out of her tomb. She thus counteracts Roderick’s weak, nervous, and immobile disposition. Some scholars have argued that Madeline does not even exist, reducing her to a shared figment Roderick’s and the narrator’s imaginations.
Roderick and Madeline are twins and the two share an incommunicable connection that critics conclude may be either incestuous or metaphysical,[7] as two individuals in an extra-sensory relationship embodying a single entity. To that end, Roderick's deteriorating condition speeds his own torment and eventual death. Even though Poe maintains that he did not approve of symbols or allegory, this particular story has been, as suggested above, subjected to many and varied types of allegorical or symbolic interpretations. Basically, however, the story still functions as a great story on the very basic level of the gothic horror story, in which the element of fear is evoked in its highest form.
“The Fall of the House of Usher” is an account of a family that is self-isolated, bizarre, and so remote from normalcy that the very existence of this family has become supernatural and eerie. The bond between the brother and sister is inexplicable and intense. One can interpret that twin siblings are actually one person that is split into two.
He is sick, it is suggested, because he expects to be sick based on his family’s history of illness and is, therefore, essentially a hypochondriac. Similarly, he buries his sister alive because he expects to bury her alive, creating his own self-fulfilling prophecy. The story explicitly ties the physical House of Usher to the Usher lineage, stating that the peasants in that domain use the phrase “House of Usher” for both. However, the connection between the house and the family runs deeper than linguistic shorthand. The decrepit house acts as a physical manifestation of the Usher family. The narrator observes the house as having an almost human-like quality, describing its windows as “eye-like.” Just as Roderick appears to radiate his own melancholy, so too does the house have a depressing air.
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