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In 1948, when the material finally arrived, Charles and Ray had fallen in love with the surrounding meadows and reformatted the building using the same material, with the addition of a single steel section. Both provide double-height spaces at the corners and outer ends of both programs. This allows for a composition that breaks the space up rhythmetically, and is read on the exterior of the house with the exterior courtyard serving as a double-height space in between both boxes.
Charles and Ray Ermes – Eames House, Case Study House n. 8, Los Angeles USA, 1949
The house was built largely of standard components, such as the windows which measure a standard width of 3-feet 4-inches. The Eames House is open to the public five days a week for reservations, which include exterior self-guided visits, private interior tours, picnics, events, and more. "I think it's just reminiscent of a bygone era, and a lot of people are bought into that entrepreneurial hustle mindset. And having that type of chair is something of an indicator of success," he said. "Most everything you get nowadays is Wayfair or something like that, or Ikea. It's all throwaway garbage. And nobody puts much care into design. It's like everything is fast fashion, fast food, fast, fast furniture."
Quotes by Charles Eames
The residence's second story also boasts two bathrooms, multiple hallways filled with aluminum closets, and a wire-embedded skylight. The studio's ground floor features a utility sink, bathroom, dark room for processing photographs, and a large open space with double-volume height. The upper floor was primarily used as storage, but occasionally became guest quarters. The 17 foot (5.1 m) tall facade is broken down into a rigidly geometric composition of brightly colored and neutral-colored panels between thin steel columns and braces, painted "a warm grey". Planted in the 1880s by Abbot Kinney,[2] an existing row of eucalyptus trees was preserved along the exposed wall of the house, providing some shading and a visual contrast with the house's bold facade. The new design tucked the house sidelong into the slope, with an 8 foot (2.4 m) tall by 200 foot (60 m) long concrete retaining wall on the uphill side.
This Is Only An Exterior Tour
Help us share the Eameses’ joy and rigor with future visitors, so they may have a direct experience of Charles and Ray’s approach to life and work. Currently, it costs $10 to tour the exterior of the house and only peek through the windows to the interior views. A case study is seen as the in-depth research and documentation of a built project from the design process right through to the installation and habitation. The aim of case study houses is to continually learn from mistakes and improve on future builds. With the entire Eames House living room cleared out, it was the perfect opportunity to repair asbestos-covered cracked flooring, which needed urgent attention. The items in the Eames House living room were briefly transferred to the Los Angeles County Museum of Art (LACMA) and displayed from 2011 to 2012 for an exhibition.
The design of the house was proposed by Charles and Ray as part of the famous Case Study House program for John Entenza's Arts & Architecture magazine. The houses were documented before, during and after construction for publication in Arts & Architecture. The Eames' proposal for the Case Study House No. 8 reflected their own household and their own needs; a young married couple wanting a place to live, work and entertain in one undemanding setting in harmony with the site.
More History
The Getty Conservation Institute and the Eames Foundation have just completed a comprehensive plan to preserve the house for the next century. Known as a Conservation Management Plan, it is a strategy for the ongoing care, management, conservation, display, and interpretation of the house and its contents. The first plan of the Eameses’ home, known as the Bridge House, was designed in 1945 by Charles Eames and Eero Saarinen. The design used pre-fabricated materials ordered from catalogues, a continuation of the idea of mass-production.
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She's written in lifestyle and design publications such as MyDomaine, Atomic Ranch and American Farmhouse Style. There are glass pieces in various shades of translucency, colorful cemestos and stucco pieces, and even some aluminum! As part of the Case Study House program, the home was largely built with standard components so that it was accessible and able to recreated by the average American.
The structure was to be constructed entirely from "off-the-shelf" parts available from steel fabricators catalogs. The Eames House, residence of designers Charles and Ray Eames, was built on a three-acre plot of land overlooking the coast in the Pacific Palisades neighborhood of Los Angeles. It was one of the first residences built under the Case Study House Program, a housing project sponsored by Arts and Architecture magazine and its editor, John Entenza.
The Eameses purchased 1.4 acres from Arts & Architecture owner John Entenza in 1945, but the journey to the final construction was rife with modifications and resource constraints. Initial designs by Charles Eames and Eero Saarinen, which envisioned a glass and steel box cantilevering dramatically over the property, were shelved. In part, due to material shortages in the post-war era, Charles and Ray turned inward, observing and soaking in the nuances of the site. The eventual design had the house sitting quietly in the land, harmonizing with the natural surroundings rather than imposing on it. The Eames house sits both chronologically and structurally as a successful middle term between Breuer and Johnson. The two spaces (private and guest) are separated by a courtyard, as opposed to being completely structurally separated (as in the case of the opposition between Johnson’s glasshouse and guesthouse).
The program opened on the heels of World War II and encouraged an architecture that would express modern life in the postwar world, and Entenza was eager to give modernist architects the opportunity to define the postwar home. Given the accessibility of new materials and techniques locally produced in Los Angeles by the aerospace industry for war efforts, it was easy for the Eamses to adapt such new methods and materials creatively. The Eames House is regarded as the most successful out of the twenty-five Case Study houses that were built.
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Case Study House 8 offered these spouses and designers space where work, play, life, and nature coexisted. The Eames House, Case Study House 8, was one of roughly two dozen homes built as part of The Case Study House Program. John Entenza, the editor and owner of Arts & Architecture magazine, spearheaded the program in the mid-1940s until its end in the mid-1960s. The exterior of the final house has an air of the industrial and yet is also playful with the contrasting coloured panels. This is house that was designed to be lived in, a family grew up here, it was not a weekend summer house. Husband-and-wife team Charles and Ray Eames were a major design force in midcentury America, leaving a widespread legacy not only in architecture, but also in filmmaking, furniture, graphics, and exhibition and industrial design.
The new Eames House design featured a residence building and a studio building tucked into the landscape's slope, with an 8-foot (2.4 m) tall by 200 foot (60 m) long concrete retaining wall. The lower level of the residence features a living room with alcove, hall with closets and spiral staircase, kitchen, and utility space. The upper level holds two bedrooms and overlooks the double-height living room in mezzanine fashion.
By the time the materials arrived three years later, much pre-construction time had been spent picnicking at and exploring the lot where the house would stand. After a period of intense collaboration between Charles and Ray, the scheme was radically changed to sit more quietly in the land and avoid impinging upon the pleasant meadow that fronted the house. Although Eero Saarinen did not have any contribution to the Eames House as built, he did co-design the Entenza House (Case Study House #9) with Charles Eames next door for John Entenza.
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