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Lady Madeline can then be seen as the incarnation of "otherworldliness," the pure spirit purged of all earthly cares. She is, one might note, presented in this very image; at one point in the story, she seems to float through the apartment in a cataleptic state. If Usher embodies the incertitude of life — a condition somewhere between waking and sleeping — when Lady Madeline embraces him, this embrace would symbolize the union of a divided soul, indicating a final restoration and purification of that soul in a life to come. They will now live in pure spirituality and everything that is material in the world is symbolized by the collapse of the House of Usher — the dematerialization of all that was earthly in exchange for the pure spirituality of Roderick Usher and the Lady Madeline. The first five paragraphs of the story are devoted to creating a gothic mood — that is, the ancient decaying castle is eerie and moldy and the surrounding moat seems stagnant. Immediately Poe entraps us; we have a sense of being confined within the boundaries of the House of Usher.
Edgar Allan Poe’s The Fall of the House of Usher: Summary & Analysis
The narrator flees the house and looks back to see it sinkinto a swamp. Rather than convey a lesson, Poe's story explores gothic elementsof the supernatural and evil to convey this tale of horror. A childhood companion of Roderick Usher, who has not seen him years, is summoned to the gloomy house of Usher to comfort his sick friend. The decayed mansion stands on the edge of a tarn, and is fungus-grown and dreary. Roderick and his twin Madeline are the only surviving members of the family, and both suffer serious physical and nervous maladies. Roderick entertains his friend with curious musical and poetic improvisations, indicating his morbid tastes by his choice of reading Madeline in a cataleptic trance, is thought to be dead, and her body is placed in the family vault.
Notes

When she reappears in her blood stained shroud, the visitor rushes to leave as the entire house splits and sinks into a lake. Madeline soon dies, and Roderick decides to bury her temporarily in the tombs below the house. He wants to keep her in the house because he fears that the doctors might dig up her body for scientific examination, since her disease was so strange to them. The narrator helps Roderick put the body in the tomb, and he notes that Madeline has rosy cheeks, as some do after death.
The Fall of the House of Usher’s ending, explained - Digital Trends
The Fall of the House of Usher’s ending, explained.
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Fear

The narrator tells him that such gas is natural; there is nothing uncommon in it. The short story “The Fall of the House of Usher” is regarded as the best example of the totality of Poe as every detail and element in the short story is relevant and related. A storm begins, and Roderick comes to the narrator's bedroom (which is situated directly above the house's vault) in an almost hysterical state. Throwing the windows open to the storm, Roderick points out that the lake surrounding the house seems to glow in the dark, just as Roderick depicted in his paintings, but there is no lightning or other explainable source of the glow. The Fall of the House of Usher, supernatural horror story by Edgar Allan Poe, published in Burton’s Gentleman’s Magazine in 1839 and issued in Poe’s Tales of the Grotesque and Arabesque (1840).
The house of Usher has its own reality and is governed by its own rules, with people having no interest in others. This extreme isolation makes the family closer and closes to the extent that they become inexplicable to the outside world. Roderick contacted him when he was suffering from emotional and mental distress.
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The title does not only refer to the literal fall of the house but also to the fall of the Usher family with the death of Roderick Usher. The narrator mentions that Roderick and his sister Madeline are the only two surviving family members, so their death makes the death of the family line. Even though the corridors in the house are filled with the apparently ordinary things, they scream out horror.
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This would account for his paleness and would fit this story in a category with the stories of Count Dracula that were so popular in Europe at the time. In this interpretation, Roderick Usher buries his sister so as to protect himself. Vampires had to be dealt with harshly; thus, this accounts for the difficulty Lady Madeline encounters in escaping from her entombment.
Poe’s experience in the magazine industry makes him excessively obsessed with word games and codes. It is actually the act of crossing a border that carries the narrator into the tenacious world of Madeline and Roderick. Edger Allan Poe also creates a claustrophobic sensation in his story. The narrator of the story is trapped in the charm of Roderick’s attraction, and he cannot escape it until the house of Usher completely collapses.
The Fall of the House of Usher Characters, Setting, Summary, Plot, Analysis, Theme, Context
A dramatization of "The Fall of the House of Usher" was taped in 1965 aspart of the "American Story Classics" series. Available from Film VideoLibrary, this adaptation runs 29 minutes and is in black and white. This is an abridged summary and analysis of "The Fall of the House of Usher." For the complete study guide (including quotes, literary devices, analysis of the major characters, and more), click here. Members will be prompted to log in or create an account to redeem their group membership. Poe’s inspiration for the story may be based upon events of the Usher House, located on Boston’s Lewis wharf.
Roderick’s letter ushers the narrator into a world he does not know, and the presence of this outsider might be the factor that destroys the house. The narrator is the lone exception to the Ushers’ fear of outsiders, a fear that accentuates the claustrophobic nature of the tale. By undermining this fear of the outside, the narrator unwittingly brings down the whole structure. A similar, though strangely playful crossing of a boundary transpires both in “Mad Trist” and during the climactic burial escape, when Madeline breaks out from death to meet her mad brother in a “tryst,” or meeting, of death. Poe thus buries, in the fictitious gravity of a medieval romance, the puns that garnered him popularity in America’s magazines. The tale highlights the Gothic feature of the doppelganger, or character double, and portrays doubling in inanimate structures and literary forms.
He does not know much about the house of Usher and is the first outsider to visit the house in many years. The characteristic element of Poe’s work is the presence of capacious and disintegrating houses; such houses in the stories symbolize the destruction of the human soul and the human body. After looking at the reflection of the mansion in the tarn, or small lake,in front of the estate, the narrator believes he sees a heavy mist and vaporrising from the trees and house. He then takes a closer look at the ancientmansion and sees a crack zigzagging from the roof to the foundation, where itdisappears into the tarn’s shore. The Martian Chronicles, a 1950 collection of stories by Ray Bradbury, contains a novella called "Usher II," a homage to Poe.
The decrepit interior reflects thestate of mind of both Roderick and Madeline as isolation eats away at theirsanity. The house eventually sinks into the tarn, signifying the end of theUsher line. The symbolism of the house and the family highlight the fact thatall things decay. In a shocking development, Madeline breaks out of her coffin and enters the room, and Roderick confesses that he buried her alive.
For some of the widely differing interpretations, the reader should consult the volume Twentieth-Century Interpretations of Poe's "Fall of the House of Usher." One key to the story is, of course, the name of the main character. Thus, the narrator is ushered into the house by a bizarre-looking servant, and he is then ushered into Roderick Usher's private apartment and into his private thoughts. Finally, usher also means doorkeeper, and as they had previously ushered Lady Madeline prematurely into her tomb, at the end of the story Lady Madeline stands outside the door waiting to be ushered in; failing that, she ushers herself in and falls upon her brother. In “The Fall of the House of Usher,” the setting, diction, and imagery combine to create an overall atmosphere of gloom.
The narrator, for example, first witnesses the mansion as a reflection in the tarn, or shallow pool, that abuts the front of the house. The mirror image in the tarn doubles the house, but upside down—an inversely symmetrical relationship that also characterizes the relationship between Roderick and Madeline. The narrator also realizes suddenly that Roderick and Madeline were twins.
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